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How Love Has Tortured Poets Through the Ages:
It’s hard to say who was the very first “tortured poet,” as the idea of poets suffering deeply for love goes back a long time. Some examples from history:
An ancient Egyptian poet from around 1500 BC wrote about how the voice of his beloved made him sick with longing and “smote his heart.
The Roman poet Catullus, who lived around 50 BC, expressed the anguish of love, saying, “I hate and love, and it tortures me.
In the 1300s, the Italian poet Petrarch wrote sonnets complaining that love both burned him with passion and froze his heart.
For ages, poets have described love as really painful, like feeling burning hot and freezing cold at the same time. they see themselves as super sensitive people, always troubled by love’s ups and downs.
Poets and Pain: The Struggles of Creative Souls
Many poets in the past felt deeply troubled and heart broken by romantic love. Their intense feelings and struggles sometimes caused pain for those close to them.
In Europe, writers started saying poets were very sensitive and troubled. They called them “tortured poets” because they thought their creativity often caused them problems and even made them go crazy.
The poet William Wordsworth captured this notion when he said, “We poets start out joyful and happy in our youth. But in the end, we become gloomy and go mad.”
The idea is that poets, while incredibly talented, can also be very sensitive, leading them to experience a lot of emotional pain and struggle, which can sometimes lead to mental health issues and self-destructive behaviours.
Troubled Artists: Baudelaire to Morrison:
The second line seems to reveal a harsh reality as it gets longer. In France, a true poet was considered a “cursed poet.”. This referred to poets like Charles Baudelaire or Arthur Rimbaud, who were marked by a difficult fate, mental illness, or addiction to alcohol.
By the 20th century, this idea of the “cursed” or “tortured” artist became a stereotype that could apply to all kinds of wild and self-destructive creative people, especially men. Famous examples include the poet Dylan Thomas and the musician Jim Morrison from the band The Doors.
By naming her new album “The Tortured Poets Department,” Taylor Swift is referring to the long tradition of poets being seen as tortured souls who suffer deeply from love and heartbreak.
She’s making jokes about the idea and saying that poets or artists don’t have to stay sad or in pain all the time.
Taylor Swift says that when we write or create art about our saddest experiences, it helps us feel better and let go. She thinks that once we’ve expressed our sadness this way, we don’t need to hold onto it anymore. Instead of feeling angry or hurt, we can move on and feel free.
Swift suggests that even though we often think of poets and artists as tormented souls, they can actually find healing and freedom by expressing their pain through their art instead of letting it consume them.
Taylor Swift: Singer or poet?
By referring to her work as “ink on a page,” Taylor Swift is presenting herself as a literary writer, essentially claiming to be a modern-day famous poet.
Fans initially thought she took on the “tortured” label from a group chat run by her ex-boyfriend Joe Alwyn, which he called “The Tortured Man Club.” That could be one inspiration.
It’s like Taylor Swift is using the idea of a “tortured poet” to talk about how artists often feel deeply about their experiences, including relationships, and how those emotions can inspire their work. So, instead of just talking about one ex, she’s exploring a bigger concept that many people can relate to.
In her new album, Swift is making fun of the stereotype of the “tortured poet” while also using it to explore her own emotions and heartbreaks. It’s not just about one ex; she’s drawing inspiration from famous poets and using that perspective to think about her own love life.
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Conclusion:
Taylor Swift‘s new album, “The Tortured Poets Department,” playfully mocks the age-old idea of the “tortured poet—artists who are seen as deeply emotional and troubled. However, Swift also embraces this concept, using it to express her own feelings and experiences in her music and lyrics. By describing her songs as “ink on a page,” she positions herself as a modern poet, channelings romantic struggles into her work.
Swift makes fun of old-timey sad people but also feels those feelings herself. She’s not just singing about her exes; she’s talking about love, hurt, and how hard it is to be an artist. She shows that artists have always written sad stuff, but by doing that, they can feel better.
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